I had fun the last time I did this, so here’s some more.
Did you know John Mahoney was English? Weirdly, I learned this by mistake somehow; I was watching something British, and there was this guy, and I’m like “Hey, is that Frasier’s Dad? It looks like Frasier’s Dad.” So I looked up John Mahoney’s filmography… And it turned out that no, that wasn’t actually him in the British show I was watching, but yes, John Mahoney was in fact born in Blackpool.
Oh heck. I set the publishing time to PM instead of AM. Oops.
Merging my normal art project with my recent meme of fake sitcom title cards gave me this idea: a random assortment of Doctor Who title cards.
An excerpt from Doctor Who: The Monster Files
Behind the Scenes
The introduction of the Spider-Daleks remains one of the most divisive choices made by the American series. After several years of negotiation with the Nation estate over licensing the use of the Daleks in the new series, FOX finally bought the rights to the Daleks outright in early 1999. Early plans for season 4 would have introduced the Daleks as the primary recurring antagonists. However, budget difficulties forced them to delay the introduction of the Daleks until mid-season. When the “trapped on Earth” arc led to a ratings slump, however, the second half of season four was retooled, and the Dalek reveal was pushed back even farther, to the season finale. When the decision was made to cancel the series, the original finale, which called for a dozen expensive Dalek props and two new spaceship sets was scrapped in favor of the much cheaper Nothing at the End of the Lane (Then called Dispossessed).
The original season 4 concept was to have unfolded similarly to the aired version up through the mid-season finale. In place of A Time To Reap, a two-part adventure was to have aired featuring the return of Varnax. Varnax was to reveal that he had not been the Doctor’s enemy during the Time War, but rather his ally, until he was manipulated into betraying the Time Lords by their true enemy, the Daleks. The Morthrai would be revealed as a Dalek slave race, sent to prepare the way for their masters. Varnax was to have redeemed himself in an act of self-sacrifice to save the Doctor and delay the Dalek invasion. Over the second half of the season, the Doctor and UNIT would defend against Dalek advance forces, culminating in a full invasion. At the end of the season, the Doctor would regain freedom of space and time by refitting Varnax’s ship, the Jonah, into a new TARDIS. The second version of the season finale was similar, with a more compressed timeline. Several elements of this draft eventually made it into the Sci-Fi channel series.
After the deal was made to transfer the series to the Sci-Fi Channel, the Daleks would be revisited mid-season. There was some confusion over whether the arrangement negotiated between FOX and the Nation estate covered the Ray Cusick Dalek designs (These concerns appear to have been ultimately baseless). Further, there was a general belief that modern audiences would have a hard time accepting the unwieldy original design as a serious threat. Thus, a new CG-based design was commissioned. The idea of a spider creature had appeared in several of the competing proposed scripts to The Last Time Lord. Early designs for the new Dalek called for a fully organic creature, but the resources needed to render such designs were deemed too expensive (This design would later by used by Stargate SG-1 for the Reetou after their original model was also deemed too expensive to animate). Later proposals included a fully “liquid metal” Dalek, and a mechanical version intended to “transform” from the classic style. The final design incorporates elements of both proposals, with “liquid metal” legs attached to a core that is clearly derived from the Cusick design. The transparent dome and visible brain within are an homage to Sci-Fi Horror films of the 1950s.
Although the “transformation” concept was dropped, references to it remain in the script to Children of War. Many interpret these references to indicates that story is intended as a direct sequel to The Dead Planet. Daleks would not appear in their original form until 2003’s Daleks vs. Cybermen.
5×07 November 17, 2000
Setting: New York, NY, 1980s
Regular Cast: Hugh Laurie (The Doctor), Lee Thompson Young (Leo), Katherine Heigl (Ruth)
Guest Cast: Judson Mills (Detective Coogan), Shia LaBeouf (Gabe), Alyson Reed (Jerri), Deah Haglund (Jenkins)
Plot: En route to the twenty-fifth century’s hottest wedding venue, the TARDIS suddenly diverts due to an override program triggered when it detects Time Lord technology in late-20th-century New York. The Doctor had programmed the TARDIS to search for lost Time War weapons after his encounter with the Time Destructor in San Francisco. The Doctor tries to locate the device using the TARDIS sensors, but the signal somehow appears to be coming from the whole city. While pounding the pavement for clues, Ruth is attacked by a drug addict. The Doctor is able to neutralize the desperate man using Venusian Akido, and they learn that there has been a massive recent surge of drug-related violence and drug-related deaths linked to a mysterious new street drug called “Warlock”. Using faked credentials, the Doctor gains access to forensic reports and learns that the autopsies of Warlock users inexplicably found shards of an unknown metal in their brains. The Doctor realizes that Warlock is linked to an inter-dimensional Time Lord weapon called an “N-Form”, which can physically extend itself through miniature wormholes created by a carefully engineered neurological structure. Ruth and Leo follow the young addict, trying to find the source of the drug. They learn that his home life is troubled due to his mother’s chronic depression and alcoholism, and the Doctor’s research into deceased Warlock users indicates this is a common pattern. The Doctor theorizes that the N-form developed a fault and is identifying a particular kind of human emotional trauma as a threat. Ruth and Leo trace the supply of Warlock to a single dealer, Jenkins, but even the Doctor can not determine the connection between the drug (which seems to be a simple plant-derived anti-depressant) and the N-Form. Believing that he can disable the N-form if he enters direct mental contact with it, and therefore takes a dose of Warlock. He enters communion with the N-form, a writhing mass of sharp metal tentacles. The N-form claims that the human race is marked by the enemy of the Time Lords. Since the N-form’s base program will not allow it to leave itself in the hands of the enemy, it can not deactivate without destroying the neural patterns that allow it to manifest in the physical world, which will kill any human who has taken Warlock. Meanwhile, in the physical world, Ruth finds an old newspaper clipping reporting that Jenkins had died six months earlier. Jenkins’s initial encounter with the N-Form had destroyed his brain, and his reanimated body is now being controlled by the N-Form directly. As humans, Jenkins considers Ruth and Leo to be enemy spies and extends a tentacle from his skull to dispatch them…
4×21 March 10, 2000
THE ARMAGEDDON VARIATIONS (Serial 57)
Setting: Seattle, WA, UNIT-time
Regular Cast: Hugh Laurie (The Doctor), Sarah Michelle Gellar (Lizzie Thompson)
Guest Starring: Jonathan Frakes (Agent Blackwood), Denis Forest (Malcolm), John Lithgow (John Manning), Rodger Bumpass (Voice of the Morthrai Council)
In voice-over, the Doctor describes the “Monty Hall” problem, in which the participant is asked to choose one of three doors, behind only one of which is a prize, then offered the chance to switch his selection after one of the other doors is opened. The Doctor explains the problem in terms of parallel universes. His explanation is wrong about a key aspect of the problem, but he reaches the unintuitive correct solution: switching doors increases the chances of winning. The Doctor and Lizzie have just arrived back in the present at UNIT to find the Morthrai mothership approaching Earth. Agent Blackwood pressures the Doctor to give UNIT Time Lord technology to combat the aliens, but the Doctor, having witnessed the dire consequences of humanity obtaining such technology, refuses, insisting that they attempt a diplomatic solution. He uses the TARDIS’s communications equipment to request an audience with the Morthrai ruling council. An attache from Washington accompanies The Doctor, Lizzie, and Blackwood to the mothership. The humans argue that, despite the Morthrai’s technological superiority, human numerical and resource advantages will ultimately lead them to a military victory. Given the great cost to both sides in a military confrontation, the Doctor suggests a compromise: human bodies which are near death or suffering from severe brain injuries could be given the the Morthrai as hosts, and with their technology and increased hardiness, the Morthrai could live in areas of the planet uninhabitable by humans. Even Lizzie is taken aback at the possibility of sharing the planet with aliens, but the Morthrai leadership seem to be satisfied with the terms. Negotiations come to an abrupt halt when multiple nuclear launches occur on Earth, targeting not the mothership, but other Terrestrial nations. Malcolm contacts the council, informing them that he has secretly launched a coordinated infiltration of dozens of nuclear installations across the Earth to throw the planet into chaos and neutralize its military capabilities. With no further need to negotiate, the council prepares to execute the Doctor and the humans… And the Doctor is back at UNIT, moments after emerging from the TARDIS. This time, the Doctor advises Blackwood to launch an immediate attack on the mothership before it can send reinforcements to Malcolm’s contingent. Missiles eventually destroy the mothership, but not before it can launch a retaliatory bombardment which kills billions. UNIT itself is attacked by Morthrai soldiers, and the Doctor realizes that the aliens were able to evacuate their mothership before its destruction. Blackwood sacrifices himself to buy the Doctor time to locate Malcolm’s base. Before he dies, the Doctor reveals that he is using his Time Lord abilities to play out possible timelines in order to find a way to defeat the Morthrai. This is dangerous, because two points determine a line, and thus, anything he witnesses in two different timelines becomes “locked in”. On the next reset, the Doctor again pushes for negotiation, but this time as a delaying tactic, sending the attache while remaining behind himself. Though UNIT is able to defeat Malcolm at his base, the mothership launches a surgical strike which disables Earth’s nuclear capabilities. The Doctor tries many more variations, and despite his efforts, more details get locked in. He eventually realizes that the attache is a deep cover Morthrai agent who, left unsupervised, will give the ruling council key strategic information. Since he is now committed to sending the attache, on the next loop, he sends Lizzie along with him. Once Malcolm is defeated, the Doctor and Blackwood travel to the mothership via TARDIS. The Doctor tries to offer the council the same deal as before, but the attache turns on them. Blackwood dispatches him and reveals an explosive device with which he intends to destroy the mothership. Abandoning Blackwood in disgust, the Doctor tries to flee with Lizzie, but the TARDIS refuses her entry. Unable to escape with Lizzie, the Doctor resets the loop a second before detonation. Explaining that he’s locked in too much of the timeline to change his approach, the Doctor allows the timeline to play out almost exactly as before, but this time, he leaves Blackwood behind to deal with Malcolm and joins Lizzie on the mothership early. When the Morthrai council refuse his offer of a diplomatic solution, the Doctor reveals that he has sabotaged their weapon systems, leaving them defenseless against human counterattack. Advising them to leave, he and Lizzie prepare to depart. As the TARDIS still won’t allow Lizzie inside, he prepares to send her back to Earth with the mothership’s teleporter, but Manning, who like Malcolm, has become obsessed with the glory of conquest, tries to shoot the Doctor, hitting Lizzie instead. As she dies in his arms, the loop resets again. Before Blackwood can even ask, the Doctor volunteers to use Time Lord technology to help the humans defeat the invaders.
4.X Living in Harmony: On the planet Hath, war has broken out between the Human and Messaline colonists. Traveling alone, the Doctor finds himself separated from the TARDIS and thrust into this tense situation. What has driven a wedge between these once-allied races? And who is Harmony Beck, an enigmatic young colonist who seems to know far more about the Doctor than she possibly could…
As is tradition when Christmas isn’t on Saturday, next week’s post will be delayed until Monday.
1×19 May 2, 1997
SONG OF THE SPACE WHALE (Serial 13, Episode 1)
Setting: Inside a Space Whale, 24th Century
Regular Cast: Hugh Laurie (The Doctor), Sarah Michelle Gellar (Lizzie Thompson)
Guest Starring: Christopher Liam Moore (Tova Veer), Nancy Youngblut (Taleen), Kate Mulgrew (Janeway)
Plot: The Doctor parks the TARDIS in deep space to do some stargazing via the TARDIS’s planetarium dome. Too late, Lizzie sees an approaching object, which turns out to be a Space Whale: a gigantic creature adapted to live in the vacuum of space, feeding on the energy fields of radioactive materials and derelict space probes. Mistaking the TARDIS for an energy-rich asteroid, the creature swallows it, and its energy-extracting abilities disable the timeship. The travelers discover a breathable atmosphere when the TARDIS crashes in a cavity inside the whale, and emerge to find themselves in the town of Megaptera, a shanty built out of the remains of the many spacecraft and debris consumed by the whale. Despite the protests of the Megapterans that escape is impossible, the Doctor tries to find a way to move the TARDIS far enough from the whale’s stomach to restore power. Eventually, he succeeds in finding a passage to the whale’s blow-hole, where he discovers evidence of a second settlement. Before he can return to Megaptera, the whale sneezes, expelling the Doctor into open space. He is saved from suffocation by a ship which has been tracking the whale, commanded by the hard-bitten Captain Janeway. She has been hunting the whale for many years, considering it a navigational hazard to the space lanes. The Doctor believes she mostly wants to harvest the whale’s organs for their energy processing abilities. He tells her about the Megapterans, but Janeway is resolved to kill the whale at any cost. When she attempts to fire a killing shot at a weak spot on the whale, the Doctor sabotages her ship with his sonic screwdriver. Enraged, Janeway orders the Doctor executed, but the frightened whale attacks the ship, disabling it. In exchange for his life, the Doctor offers to repair the ship, but is unable to restore power before the space whale swallows it whole.