[an error occurred while processing this directive]

Main | September 2004 »

August 30, 2004

Punctuation is Yor Friend

I did not invent any of these lessons, but they are important all the same:

  • The semicolon is the difference between, "My dearest love Duncan comes here tonight," and, "My dearest love; Duncan comes here tonight."
  • The comma is the difference between, "Eats shoots and leaves," and "Eats, shoots, and leaves."
  • The apostrophe is the difference between, "Some can sing, and some cant," and, "Some can sing, and some can't."
  • Capitalization is the difference between, "Helping your uncle Jack off a horse," and, "Helping your uncle jack off a horse."

I once saw a sign in a store that said, "We 'don't' take credit cards." I can only assume this means that they take credit cards only if you know the secret handshake.

Eye dew sew love my spell chequer. It safes alot of thyme. Aviary word eye trie on it, it tales me eye spell write.


--------

August 28, 2004

Kamikazioke

Okay. I have a confession to make. This is not going to be a shocking confession, because everyone reading these pages right now already knows, and, through the miracle of reverse chronological organization, everyone who shows up later will probably have already heard this.

"Music is a religion; Karaoke is a cult." I, gentle readers, am a cultist.

Three nights a week (Recently up from two. I just don't get the same high I used to) I shuffle off to the four corners of the earth (Well, Dundalk, Essex, and Perry Hall. But driving past the sewage treatment plant on a hot summer night is enough to make you wish you've driven off the edge of the earth. Or, if you are a slightly more level-headed person, wish they would[2 points]) to drink beer and sing badly (Actually, I sing rather well. The classic notion of karaoke being a bunch of drunken businessmen singing badly is largely fictional. Hardly any of us are businessmen.) with the finest karaoke host in the business.

The human competitive spirit is strong, and so it shouldn't be surprising that one hugely successful venture at my regular show is a competition.

Now, your first guess is probably that this would be a simple singing competition, in which the person who does the least insult to his favorite artist's career is rewarded. Well, that's only partially true. The competion of which I speak is a clever little gimmick they call "Suicide Karaoke", and yes, you are judged, more or less, on your ability to sing without sucking.

But here's the twist: It is not until the moment the song begins that you know what song you'll be endeavouring not to murder. The song is selected at random from the host's catalog of about 450 discs spanning all known genres, epochs, and other metrics of taste. The first song is selected by the host's wife, and subsequent songs are chosen by the preceeding competitor. You might find yourself singing a song you know (I was once dealt my own "wheelhouse" song, Tommy Tutone's 867-5309/Jenny), a song you've never heard of before, or (and I think this sort of the Platonic Ideal) a song it would never occur to you to sing, but which you turn out to be really good at (This hardly ever happens). The fates tend to deal me a lot of 60s female country vocalists. Whatever comes up, you are compelled to sing, however inappropriate (There is an exception made, and a redraw allowed, in the rare case that someone is dealt a duet, because, c'mon, that's just unfair)

There are upsides and downsides to this method. I think it would be hard to run a straightforward karaoke context on a regular basis, since all the regulars would just always sing their best songs, and, barring accident or illness, I'm not going to belt out the seven magic digits any better or worse than I ever do, so we'd all pretty much end up placing in the same position week after week. Of course, someone who is really good can get shafted -- the big guy with a voice to rival Pavoratti can draw Madonna, and what's he going to do with that? But such is the luck of the draw. What it comes down to, and I'm not sure whether or not I like this, is that it's really the song that's being judged. I happen to think that one of the songs I did recently, I sang very well indeed, but it just wasn't a very popular song to begin with, and my ratings suffered. Ultimately, I guess, it's no more or less fair than any game of chance, a lottery or a slot machine, but with the added chance of Public Humiliation (Like the time I had to sing Somewhere Over the Rainbow -- though the very next week I went to see the film 50 First Dates, the end theme to which was a male singer covering the selfsame song) -- but this is karaoke after all, and it's not a hobby that attracts a lot of people with a low threshhold for public humiliation

I collected my second win tonight, which was a long time coming, after drawing Achy Breaky Heart in the first round and The Search Is Over in the second. I think I've done better, personally (The Search Is Over I've actually tried before, so I went in knowing it was way too high for my deep, sexy baritone), but the fates were clearly backing me, since the runner-up's second round draft was Jewel's Hands, while his wife failed to place after forgetting that the H is silent in the phrase, "I'm Henry the Eighth, I am."

But I'm not writing this article to brag (well, not just to brag). I'm writing it for the benefit of anyone out there who runs a singing show of their own, because if they decide to get into the action and the surefire crowd-pleasing that is Suicide Karaoke, I want kickbacks.

Now, I've occasionally suggested that "Suicide Karaoke" is not the ideal name for this event -- I think more often than not, it's really "Homicide Karaoke," because nine times out of ten, the song gets murdered. However, I mentioned this event to some friends tonight, and one of them came up with a name so funny, I just like to keep saying it over and over: Kamikazioke.

And that's why I'm writing this column.

I guess it's a nice day for a white wedding after all.


(PS. As I was writing this, a name I like almost as much occurred to me, and since this one is my own invention, I'm gonna share it. Hari-Karioke)
--------

August 27, 2004

A Statement With No Context

This is just a passage from something I'm writing. I'm posting it because I like the way it sounds.

She had a disarming smile, which is to say that her smile looked like it could rough you up, throw you against a wall, and frisk you.


--------

August 26, 2004

Retirony

I've been watching a lot of (very very bad) horror movies recently. I think we need a name for that phenomenon in film and television where (usually) minor characters doom themselves.

There's a few ways you can do it, and I don't want to lump all of them together. For instance, you can pretty much doom yourself to death in certain genres by using racial slurs, smoking, being a bully, being sexually promiscuous, or being the only african-american, but I don't want to count these surefire tickets to a violent death -- for no particular reason other than that there are only so many things I can cover at a time.

So the class of dooming statements I'm interested in is a subset of the general Fate-Tempting kind of doom. If you don't know what I'm talking about, that's because we don't have a word for it yet, but it comes up all the time. Since it would take longer to explain it, I'll just give some examples:


  • Cop-movie sidekick shows our hero a picture of the boat he just bought (preferably with some life-affirming name like the SS Live-4-Ever [.1 Point]), where he will spend his retirement just as soon as they crack this case.
  • War-movie sidekick reads a letter from his sweetheart back home and vows to marry her just as soon as his tour of duty is over.
  • In the recent Angel finale, while all the other characters are resigned to the fact that their chances of survival are negligable, Wesley keeps making comments about how he has no intention of dying in the coming battle.
  • Anyone in a horror movie says, "I'll be right back."
  • Anyone in any movie says "I am invincible!"

Any of these, and a host of other similar statements pretty much guarantee that the character will die horribly, a little moral reminder that life is short and fickle, and God does not like it when you forget that he can put the smackdown on you at any time.

So, by now, you all know what I'm talking about, but, much like the goatee, it's annoyingly difficult to describe it without falling back on examples (G'head. Try to describe a goatee without touching or gesturing toward your chin). Maybe Hollywood is trying to pull a bit of Orwellian Newspeak, keeping us from realizing just how cliche the phenomenon is by not giving us a word for it.

That's why I've decided to take every opportunity that presents itself to use my own preferred term for the phenomenon. I dub it "Retirony." This is not a name I can actually take credit for inventing; it first appeared in The Simpsons, where Chief Wiggum explains that he will surely be fatally shot three days before retirement. Of course, Chief Wiggum places the emphasis on the impending retirement, while I place it on the statement. While this is a huge difference (The gods smote Kreon for his pride, not for having something to be proud about), I'm just going to ignore it, because I like the word.

Now, I'll admit that the road to coinage is not an easy one. Pretty much every time I use the word, "retirony," I then have to go on to explain what it means, so it ends up taking longer than if I'd just explained it in the first place. But it's a sacrifice I'm willing to make for the sake of future generations, who, between popping food cubes and enjoying syntho-lovin' with their robot sex machines (Shall I sing you to syntho-sleep/After the techno-lovin' [3 points]), will be able to use "retirony" unmolested.

And in case you think the movie world is too far afield from our own, The Word Detective informs me that as far back as the bygone days of World War II, pilots were frequently heard, before a dangerous mission, wistfully speculating on the day that they'd be able to go back home, marry their sweetheart, and settle down on a parcel of agricultural land out in Oklahoma.

Which is (maybe) why a pilot who didn't make it back could be said to have, "bought the farm."

--------

August 25, 2004

An Observation About Languages

This is actually an observation I made years ago, but since I didn't have a blog back then, I'll make it now as if it were something that only just occurred to me.

Now, I am not much of a polyglot -- I can struggle my way through written French and Spanish, so long as the topic of discussion is "Things found in a classroom", I can spit out enough non sequitir latin phrases to look pretentious, and I know about six phrases in ASL (I do speak about 20 programming languages, but that's neither here nor there).

That said, have you ever noticed that languages, as a whole, have a sort of character about them?

This perception of mine is, of course, fueled by my honkey 'merkin arrogance thinking that the world revolves around our little section of the western hemisphere (Though it was in a British program(me) that it was speculated that back-up controlls to all the world's nuclear weapons could only be entrusted to the British, because "The rest of them were all foreigners." [2 points])

However, having admitted that what I'm about to say is just Ugly Americanisms, I'm going to say it anyway. (But there might be some objective truth to it; it's a well known and popular fact that certain sounds tend to prompt certain emotional responses, which is why men named Matt tend to score more than men named Paul.)

Languages have a character; if you take a random phrase in a certain language, it will just inherently sound like something. For example, anything you say in latin is going to sound sort of mysterious and sage. Carpe canis ergo id est ad majorem veritas vidi carborundurum sounds like some kind of magical spell of great power (Actually, it means something like "Seize the dog therefore that is to the greater truth I saw them grind," but I'm sure it's not even gramatically correct, since I just strung together latin words. Xander, do not speak latin in front of the books [.1 point])

Thus, anything you say in spanish ends up sounding slightly dirty (Donde esta la biblioteca, Biotch). Likewise, anything you say in Italian sounds, well, delicious (Belladonna, in Italian, means "beautiful woman". In English, it's nightshade (The stuff the eye doctor puts in your eyes to make them dialate, incidentally), a deadly poison. Some have taken this as evidence that the two languages are fundamentally similar.). Furthermore, anything said in german sounds mildly threatening (Especially if the thing being said is "Hogaaaaaaan!").

And French, ah French, is the language of l'amour, so what else, anything you say in French sounds romantic (and really, this is the whole reason I'm writing this article). To prove this, I offer the following example of a beautiful, romantic phrase in French:
J'ai un poisson dans mes pantalons

It means "I have a fish in my pants."
Bon Appetite

--------

Obligatory badges

This weblog is licensed under a Creative Commons License. Some rights reserved.

Powered by Movable Type